sexual mistaken identity aren't unheard of in the world of grillfat, but you'd be hard pressed to find a more clueless bunch of longhairs than Sydney's The Ash Band. Along with Sidewalk Teaser by U-Turn, Let's Go from The Ash Band's only single is our favourite grillfat tale about the world's oldest profession. The difference is that U-Turn know exactly what they're getting themselves into, while Ash Band vocalist Paul Flood is such a dope, he doesn't realise that his date expects a gratuity until after he drops his drawers. Amazing. He's got a pretty face, and it ain't going to hell - when he sings about "making whoopie", you know he's never made anything of the sort. Backing him are Danny McCarthy (drums), Dave Flood (bass), and Zac Zinic (guitar) who may or may not be Alex "Zac" Zytnic from the Sunsets/Tamam Shud/Blackfeather.
One of the more interesting threads to emerge from our posts here is the sheer number of (largely undocumented) records from Sydney's Western suburbs. Kanangra was a 24 track studio based in Westmead; it is perhaps best known for tracking the Numbers' Govt. Boy EP, although Wallaby Beat bottom feeders may also recognise the name from the Replicas 45. As a label, Kanangra's discography runs the gamut from suburban mystery bands to mystical singer-songwriter types to one-man-band Hammond organ lounge-dwellers. While later releases have the air of a genuine label about them, the earlier records seem to be drawn from the studio's client base who simply wished to delegate the drudgery of pressing their own records. Even taking that into account, it's a strange discography, peppered with oddball one-sided 12"s, and with packaging that ranges from the professional to the perfunctory. The sleeve for the Ash Band single - a nifty silver screen printed job - is certainly one of the better ones. It also doubles as a public health campaign up there with the federal government's plain packaging legislation. Never have cigarettes seemed less glamorous.
Let's Go [Download]
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