this particularly noxious version, recorded live in 1982 at the Nookenburra Hotel. Be warned that it is 3:05 of your life you will wish you could get back.
Thankfully, the keyboards and new wave affectations which blight the live footage are largely absent from the single. Recorded two years earlier, its B-side is a creditable exercise in powerpop/rock. In fact, as a suburban Oz Rock take on the Marshall-amped powerchords of fellow Perth-ites The Manikins, Don't Stop fits neatly into the accidental powerpop genre discussed here previously. Though the musical terrain overlaps, we hasten to emphasise that the two bands approached it from very different angles. Their respective odes to the commercial radio DJ speak for themselves - compare Smashing Records ("I am a DJ...the greatest hits, the hottest licks", delivered without irony) with Radio World from the first Manikins 45 ("You like the way the DJ speaks but he just gives me the shits"). The artwork accompanying both singles further highlights differences in approach, but for now we'll leave Hooker's back cover to your imagination.
Despite plugging away on the local scene for another few years, there would be no further releases. After calling it quits in 1983, various members turned up in other Perth bands throughout the remainder of the '80s and into the '90s - Phil Foord surfaced briefly as bassist for well-regarded local rock band The Jackals, while at the other end of the spectrum, singer Steve Letch joined the much-maligned Kaper (scan back-issues of Party Fears zine for the headings "The three worst bands I've ever seen" and "Bands I would rather not have suffered"). Guitarist Marcus Sturrock looked further afield, rubbing shoulders with a who's who of Oz Rock out-of-towners, as documented extensively on his website.
Gilbert Kopland –Leave The Rest To Me
5 days ago