Musically, stages were about the only thing the Klerks shared with the mods - bar the new wave-ish closing track, The Groove Tapes is raw and menacing punk rock. We have featured The Rider below as the standout song, but Love And Pain and Fun In The Sun are both worthy efforts, too. The EP highlights what seems to have been an ongoing alliance with Wallaby Beat favourites, the Flying Calvittos - both singles featured musical contributions from the mysterious Groove, and were tracked at his Surry Hills studio (here, Groove is responsible for some spastic keyboards, which thankfully tend toward fart noises as often as not). The Klerks' logo, as well as the cover of their only other single, were also designed by a Calvitto.
As for the other single, this is where things get a little complicated. Though The Groove Tapes was recorded in 1979, it did not see the light of day until some six years later, when it was released in a tentative edition of 250 copies on the Vi-Nil label. (Vi-Nil, of course, is best known for the first Hard-Ons single, as well as its other live-in-the-studio archival release, the Lipstick Killers' 1978 recordings). In the interim, the Klerks had expanded to a four-piece and recorded what was to be their first release proper, a two-song single appearing on Vi-Nil in 1983 (K001/2). This outing was incomparably weaker, and included an extended but anaemic re-recording of Love And Pain.
As if the Klerks' chronology wasn't convoluted enough, the matrix etching of The Groove Tapes belies its 1985 release date, placing it firmly at 1981. The most likely explanation would be an aborted '81 attempt to put the EP to wax, with the original plates being rescued for its eventual Vi-Nil release. Another theory involves the great scientific innovation of 1985, the flux capacitor. Keep an eye on our other website, where we intend to expound on this theory at length.
|Groove: "a wild, wild operator". From the advertising LP The Adventures of Smedley Strongheart (EMI Custom PRX.5667, late-'60s).|